I really really really hope if we get more Sorkin-scripted films, Jeff Daniels will be there somewhere. Jeff Daniels is such a natural fit for Aaron Sorkin. I'm so glad this film got made despite all the problems it faced, and absolutely overjoyed that it turned out to be as good as it is. The scene sums up everything that I think is central to making Macs what they really are - distractions that let people make random, often useless stuff that is somehow appealing, and which works for some odd reason. Jobs, who loves art, is obviously enamored whereas Liane is stunned. And what does she end up showing Jobs on the screen? A nonsensical abstract. Her mom is breaking down, and her Dad is yelling that he isn't her father, but the computer ensures that instead of having to face that situation, Lisa, and people in general, can have an easy escape.

One of my favorite moments was when Liane asks Jobs what his computer, after all the time he's devoted to it, can actually do, and he simply points to it and says, 'that.' He's half pointing at Lisa, who's managed to escape her parents' argument by opening up Apple paint. Saw this film last month, and I wish more biopics would take liberties with style and story the way this one does, instead of sticking to generic structures and facts that I could otherwise get from just watching a bbc documentary.ДЄlso, my favorite part about the writing, and the thing that makes me appreciate Sorkin despite knowing that no real person ever talks like his characters, is that his dialogue works on multiple levels, all at the same time, and in the same scene. Boyle comes through, and Sorkin shines through the script. Overall I think it's one of the best biopics you can make, giving a 2 hour glance into who Steve was, without assuming to understand the whole picture. It works for the film, but leaves out a big part in Steve's life. Sorkin basically filled in Joanna Hoffman, who worked closely with Steve, for that role. The one big mistake of the film is the omission of Jobs' wife of 20 years. I think this movie will help people see that. He was an asshole, but not just an asshole. Jobs is a leader who sacrificed many personal relationships for his work. But it's not as simple, or as simply morally reprehensible as 'you're not my daughter, I deny it'. I mean the dude pretty much wavered in and out during 19 years of his daughter's life. You can tell Sorkin was hung up on the daughter thing. Sorkin did the same sort of thing in The Social Network, but even better here. Jobs definitely has the tone of an asshole, but the complexity in the relationships is not simply glossed over as 'He was a nice guy here, and a terrible guy here'.

One of the most complex moral schemes I've ever seen in what is basically a Shakespearen epic.

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